I happen to have a lot of Ivory black and presently I am painting only black and white painting to understand value differences.
I realized that it is better to have a warm black to create different tones which Ivory black and white cannot produce and painting turns bluish grey.
Will adding burnt sienna to ivory black solve the problem? I want to finish my ivory black paints before moving to regular color DMP method.
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Comments
Mark suggests using a chromatic black mixed with burnt umber and ultramarine blue.
It is a beautiful black that can be pushed to either a warm black or a cool black depending on how you vary the 40/60 mix.
Ivory black has a dead and flat appearance in an oil painting.
Denis