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 So I begin here in charcoal on paper 14"x 17", with the head, too much too early at this time.
 The photo depicts the composition for the figure and head, but the background will become a small section of the universe/outer space rather than what is shown in this photo.
 I'm referencing Andrew Loomis, drawing heads and hands. My next step is to draw once more in charcoal to iron out some of my problems here, then move to drawing the same but better, in oil on canvas. Studies of planes in the face and head coming next.
Ordinarily in portraiture "the look a like" is not important, but in this case it is somewhat important. Further studies and practice of parts of the face, the hands in oil on canvas are forthcoming.
 It's a challenge here to pull up our socks and restore some sort of integrity about things once again.
 So I may appear to be jumping around from one painting to another until better settled, Haha!🤣😂
Comments
 Here's an update, this is a much stronger foundation on which to build confidently.
 I have just a few more details to add to this drawing & his face should look more round and move on to oil on canvas for practice. Â
This is much closer to being true even though not quite right just yet.
 Ready to continue drawing in oil on canvas now, more practice & development, including planes of the face, coming up next.Â
 Btw, our faces are not symmetrical.
Isn't this attempt so different than my 1st?🌞🤣
I’m sure it comes in handy for commercial art, which is more reliant on quickly knocked out generic faces, but for real people it’s very flawed.
 Seems to turn faces more into a phone camera style type very yin image. Your subject has a yang face.
 I may have detail practise sessions for eyes, hands and background to add as well.
 A lot to do before getting to the final painting here.
First you draw. Then you make quick core against standard points of relationship. Using your brush handle or proportional divider. Draw some more. You'll have to wash and repeat until it's right.Â
I suggest you do a a. painting without a pencil mark. Just start painting. Correcting, Painting. Correcting. and so on til it's right. Right not necessarily correct or perfect. Oil paint is made for this approach. So forgiving.
Relying on a restrictive master drawing makes a painting stilted. Lacking expression.Â
 The finish is here.
https://jimkingston.com/wetpaint/2021/3/11/the-beginning-of-the-end
https://jimkingston.com/wetpaint/2021/2/21/hello-its-me-youre-looking-for
 I have a scrap 16"x20" canvas ready to begin on today. I can take progress photos as I move along here. I will begin from scratch on the canvas, just drawing with a brush and oil paint.
Looking forward!!!🌞🤣
 Btw, many great portrait artists begin the process just like this!
Thanks for the great progress photos and info @KingstonFineArt
Not happy so I scraped everything off and stained once again, let it dry overnight.
Wrong size brush for drawing this, was using #5 filbert lines got way too thick and lost legibility of the drawing so I stopped here, I'll retry with a #1 round something like that.
But I'm certainly on the right track here with measurements using the proportional divider. Looking forward.
 I'll post in a new thread.