I watch his videos and really appreciate the way he describes design. I haven't really understood design, but as he talks it through I feel I've started to comprehend because he translates it in terms I can connect with. His video on understanding your muse I find deeply profound.
It's like he sees the bones that carry the weight of the body of the composition: the masses. Most of us don't think like that - I certainly didn't. Tonal impressionism forced me to paint that way because I had to simplify the painting so that the first pass is 3, maximum 4 values all painted in masses. So a dark mass might be part of tree trunk and shadow all painted as a single mass (not a separate tree) - and with eyes half closed those masses would match the original. I think this video (with that diagram) emphasises how to use that to actually find and understand your design.
He's my favourite, thx for sharing Michael! He's also really well spoken. His book creative authenticity is a good read, kinda reminded me "art and fear" by Bayle's & Orland. Thx for the suggestion Kingston I think I'll buy his book, don't know why I haven't so far
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A reprint is about to come out.
I shall watch the muse one too
Thx for the suggestion Kingston I think I'll buy his book, don't know why I haven't so far
IMHO a synthesis of Mark and Ian's techniques and advice is just about all you need as a good foundation.
I mean between the two of them is there anything missing for a budding painter?