I'm getting around to putting together a website, and I'm kind of stumped on how to approach the bio page.
I'm new to painting (2 years now) so I've never written an artist bio before which is why I guess it seems daunting. Main questions:
1) Should it be in first person or 3rd person? I've read many different opinions on this.
2) Is it o.k. if the bio is REALLY short, like a three or four sentence paragraph?
Thanks for any other suggestions as well.
Bucky
2 ·
Comments
I prefer first person to maintain the one to one communicative style.
Third person generates passive and ugly sentences. A good night’s sleep at every paragraph.
No need to slave over that keyboard again.
Here is a useful link so we don’t get too serious.
http://www.artybollocks.com/#abg_full
An automatic artists' statement generator.
Here is a sample
Artist Statement
My work explores the relationship between emerging sexualities and midlife subcultures.
With influences as diverse as Derrida and Joni Mitchell, new tensions are crafted from both explicit and implicit discourse.
Ever since I was a postgraduate I have been fascinated by the essential unreality of the universe. What starts out as contemplation soon becomes finessed into a hegemony of futility, leaving only a sense of nihilism and the chance of a new reality.
As momentary replicas become distorted through frantic and personal practice, the viewer is left with a clue to the inaccuracies of our condition.
Denis
1. who I am
2 where I came from and/or where I want to be
3. what I paint
4. why I paint
5. goals
6. education, experience, accomplishments/awards, associations
7. Contact information.
It's fine, you can do whatever you want. Mine is also on the short side (6 short sentences), but it's like a résumé/c.v., it can change over time and improve.
I find it difficult to write, awful in fact, and it makes me cringe when I read it, but that's just how they are. If it helps, write one for an acquaintance who has a similar style as you. Do it as though you were helping that person get into marketing themselves, but doing the difficult self-aggrandizing parts for them. It's much easier to write these things if it's not about yourself. Then when it all hangs together well, change the details so it's about you.
You can also revisit this and keep working on it. I see the websites of others and think "that's a great way of saying something", and I think about adding that to my own.
Or...
Ask a few people to contribute a few sentences about your work, then cobble it together, Frankenstein-style until it lives. For example, here is something I made up, but it's very similar to a lot that I read. You may find this too dull or inaccurate for your use, but that's the point, it might motivate you to improve it for your use.
Bucky has been influenced by the teachings of Mark Carder, _____ and ______, and has drawn from each distinctive form elements. During these studies of advanced techniques and composition, Bucky has developed an eye for strong architectural elements that are used to frame scenes that include personal touches, humanizing the composition. The works of _____ and _____ are seen to influence this direction.
Bucky's work can be found online and and in local and regional exhibitions. See the contact page to ask about works, commissions, and upcoming shows.
I like the automatic generator that Denis suggested, and I feel I've read quite a few out there just like that. What you really need is the brain of @Boudicca, who can rattle off this stuff with ease and a straight face.
Thanks @dencal and @BOB73 for the advice! Very helpful!
And Thanks @PaulB for the advice and very interesting perspective from your point of view of what my bio could include! It's simultaneously illuminating and weird as hell to hear someone else describe my work through another lens
Stumbled on this must read piece:
https://theabundantartist.com/five-tips-for-describing-your-artwork-to-the-average-person/
Denis
About Jessica Leonard
Jessica Leonard is a Contemporary Realist oil painter who enjoys creating complex and highly realistic paintings. Growing up in the Saratoga Area, horse racing has always held an exciting part of Jessica’s summer heart. As she is evolving as an Artist she finds herself drawn to the strength and sprit of “The Sport of Kings”. Beyond that she is moved on a daily basis by the beauty of the things we are surrounded by: The sun shining through the windows catching the flecks of dust on the air; the beautiful juxtaposition of a dark foreboding sky against the dull late November leaves; the way her daughters’ hair falls like auburn silk across their rosy little cheeks. Much like how she notices the small beauties in everyday life, she strives to catch the small beauties in the paintings she creates. Many clients have said her work has captured a subject’s spirit just right. Maybe it’s because the spirit is represented as much by the tiniest detail in the eye as it is in the picture as a whole. Together all of those small moments in an image bring to life what our heart’s eye sees, but the camera neglects.
Jessica works with a limited pallet and has become adept at matching and mixing her colors using solely white and the primary colors of red, blue, and yellow. Taking out the numerous color variants on the market has been freeing and has given her a deep understanding of color theory that has become second nature to her. Leonard graduated in 2003 with a BA in Fine Art from the State University of New York at Plattsburgh. She paints everything from private commissions to being selected as the Signature Artist three years running at Saratoga Springs Charity Gala “An Unbridled Affair”. Her painting “Horse Behind the Legend” was featured in the National Museum of Racing and Hall of Fame as a spotlight artist in 2016. Her work resides in the private collections of some well-known members of the racing community. Jessica has been featured in numerous local publications and she continues to expand her work base between her home and the Saratoga Springs area. She spends her summers in Saratoga Springs area and currently resides in the historic Village of Walden in New York’s picturesque Hudson Valley with her Husband and two daughters.
First one written in 3rd person for a photographer
Eric Swaby
Fine Art Photography
“What I see, is what you get”
Eric honed his skills as as a professional commercial photographer before the advent of digital photography. As the advancement of digital technology caught up to his exacting standards, the switch to digital coincided with a creative turn towards capturing images that resonated with his long held connection to the West Australian landscape.
Eric eschews the hyperbolic and the oversaturated, instead, he aims to stay true to the natural grandeur that unfolds before him as he travels throughout the state. Embracing a vision that speaks honestly, he presents us with images that are evocative, authentic and mesmerising.
With an emphasis on technical skills that enable him to place the viewer almost within the image, and a narrative style that captures the story of the landscape, Eric’s spectacular images are sought after by both civic institutions and private collectors throughout Australia.
This one in first person for my website
Artist Statement
When a well executed painting tells a story it engages the viewer, when it tells a story that the viewer can relate to it captivates them.Welcome to my website. I hope my work engages you, reveals some hidden truths, and maybe even makes you laugh. Life is a bit like that; darkness, light and everything in between. The main thing is not to be afraid of the dark.
About the Artist
I formally studied drawing at the old Perth Technical College before heading off to live and travel in Europe for 4 years. Upon my return to Western Australia I attended what was then the Central Metropolitan College of Art and Design (TAFE) as a foundation for my art practice. As well as the narrative aspect of my work I am keenly interested in the technical aspects of oil painting, always working to produce pieces that are archivally sound by only using professional quality artists' materials.
SERIES
I have a number of series that I continue to develop.
Budgie Royalty series explores relationship dynamics and personal growth with humour and a dash of pathos.
Skull Narratives - I love the sculptural quality of bones and find they can be a powerful element in developing narrative.
An Gorta Mor which explores events borne out of the Great Hunger in Ireland 1845-1851. I shine a light on what for many years was a hidden history.
TECHNIQUE
As a contemporary realist oil painter I enjoy the versatility and richness of this medium. It enables me to employ various techniques that I can leverage to meet the needs of a particular work.
Alla Prima- Italian for "at once", alla prima painting technique requires keen observation and exacting colour and value judgement. This style of painting imparts a feeling of spontaneity and freshness.
Trompe L'oeil- French for "deceiving the eye". I use this technique in some of my work to give the viewer a frisson of delight at discovering that what looks real, may not be so.
https://www.clarkejduggan.com/about.html
Welcome!
I am an oil painter and I live in Victoria, British Columbia, Canada.
My mission is to create art that captures the beauty of nature in a realistic style. By exploring compositions of botanicals, landscapes, and portraits, I aim to render aspects of our environment in a way that illuminates the beauty of the world in which we live.
The work on this site is a collection of my original art. All paintings are available for purchase unless stated otherwise.
If you would like to purchase a painting or inquire about a commission, please contact me at [email protected]
For more images of my work you can find me on Instagram at https://www.instagram.com/clarkejduggan/
Check out my Youtube channel for narrated timelapse videos of my paintings https://www.youtube.com/c/clarkejduggan
The website and bio are still a work in progress. I have a lot of great examples to draw from here!
Thank you!!!
I like to keep things simple. If you haven't yet entered any shows or competitions or had an exhibition then leave that section out. When you do get around to entering competitions just give your basic details and a brief paragraph about the work entered. (See below)
Name: _____________
Education
Began painting 2016
Exhibitions & Awards
2020- Annual Artists Show, Colville Gallery
- Solo exhibition, Collville Gallery, Hobart, Tasmania
2019
- Finalist - Lloyd Rees Art Prize, Colville Gallery, Hobart
- Finalist - Henry Jones Contemporary Art Award Finalist
2018
- Annual Artists Show, Colville Gallery
- Henry Jones Contemporary Art Award Winner Peoples Choice Award
2017
- Huon Valley Community Bank Branches Award Winner
- Lloyd Rees Art Prize, Finalist
2016
Paragraph about the work:
Example: I like to interpret the landscape around my home. My aim is to describe the landforms broadly, while still ... etc, etc
Hope this is helpful.