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dencal -

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  • Re: WIP - Cinque Terre

    movingalonghome

    I put the roller in a ziplock bag or wrap in damp towel between coats.

    Denis

    PaulB
  • Re: Weird Texture on my oil paintings

    Juliana

    Looking as closely as I can it seems that the white paint has all the roughness.

    What sort of brushstroke are you using - push, pull or scumble?

    Did you use clear gesso that dries with a toothy surface?

    Are you following the fat fat over lean rule?

    Keep in mind that polymers shrink as they dry, giving more prominence to the support texture and peaked ridges of oil paint.

    Roughness can be a desirable attribute in a painting. If that is not what you intend start with a smooth Ampersand Gessobord or Dibond panel. Lightly oil out before you start painting and get some SDM for your non Geneva paint.

    Are any of your colors past their use by date, slightly set up in the tube?

    Worth remembering that a few coats of varnish (or resin) will cover a multitude of sins.


    Denis


    Julianna
  • Re: Richard's Blog

    Folks

    For many people, it can be a challenge to get that much fiber in a typical American diet. Most people top out at an average of 15 grams per day, regardless of how many calories they eat. But if you’re going overboard with a high-fiber diet plan, you could be putting yourself at risk for problems like stomach cramps, constipation, and even nutritional deficiency.

    “High levels (of fiber) can also interfere with absorption of some minerals, such as iron, and some antioxidants, such as beta-carotene. It’s rare, though, for people in this country to be getting too much fiber,” says registered dietitian Brie Turner-McGrievy, Ph.D., R.D., of the University of North Carolina at Chapel Hill.



    Vitamins and trace elements are more difficult to maintain.

    Denis

    Summer
  • Re: “FINISHED” WIP. Self portrait 10”x14” oil on linen panel

    erg

    I don’t know about easy, but you are making it look good.

    Denis

    erg
  • Re: WIP - Tar Spot - 30cm x 42cm on aluminum

    PaulB and Summer

    ‘Sinking in’ is more a product of the surface character of the pigment after the polymer chains have formed. That is, the surface reflects light differently as it becomes dry and micro wrinkled.

    You can see the same process at play with acrylic paint: smooth, shiny and wet on application, powdery, matt and dry after twenty minutes.

    Sinking in was a real problem when gesso comprised chalk, pigment and glue. Nowadays with acrylic polymers it can be thought of as an impermeable plastic skin rather than an absorbent layer.

    I expect PaulB’s earth tones to ‘sink’ as usual.

    Denis

    PaulBSummerBancroft414